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Feign To Delight Gaiety Of Gods

by Shalabi Effect

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glumburger Shalabi Effect are just masters at melt-your-brain experimental music. Strong arabic styles coupled with free-form jazz and psychadelia, it's just a perfect concotion to lure you in. Definitely their best effort since their stunning self-titled debut on Alien8. Favorite track: A Fine State Of A Fez.
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  • Compact Disc (CD) + Digital Album

    Comes in a beautiful gatefold sleeve that unfolds into a colored poster, with artwork by Maria Kassab and design by Hatem Imam (from Studio Safar). Each disc is individually numbered.

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  • Full Digital Discography

    Get all 20 Annihaya Records releases available on Bandcamp and save 90%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The Wondrous Reverberations of Halim El-Dabh, Ensemble 1: Al Jadi, Nemesis, Alkisah Remixed [Beirut Edition], Alkisah [Beirut Edition], Bitter Balls, A New World, Rats Don't Eat Synthesizers, and 12 more. , and , .

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Empathy Box 04:51
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Love Hertz 17:05
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John Heward 06:07
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credits

released July 30, 2012

Sam Shalabi: electric guitar, oud, keyboards, synth
Anthony Von Seck: guitars, setar, keyboards, synth
Alexandre St-Onge: electric & acoustic bass, keyboards, synth, voice
Will Eizlini: percussion, violin, keyboards, synth, samples
John Heward: drums, voice

With:
Jason Sharp: baritone & bass saxophone
Josh Zubot: violin & viola
Philemon Girouard: alto saxophone
Elizabeth Anka Vajagic: vocals
Patrick Conan: drums

Produced by Shalabi Effect
Engineered by Radwan Ghazi Moumneh and Anthony Von Seck
Mixed by Radwan Ghazi Moumneh
Mastered by Harris Newman at Greymarket Mastering, Montreal, Canada

Artwork by Maria Kassab
Design by Hatem Imam

Produced in Lebanon by Annihaya

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Annihaya Records Beirut, Lebanon

Created in 2009 by Lebanese musicians and producers Raed Yassin and Sharif Sehnaoui and visual artist Hatem Imam, Annihaya is a conceptual music label that specializes in the displacement, deconstruction and 'recycling' of popular or folkloric musical cultures. ... more

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